Tamasoma Post-Mortem & CutMirchi Future

It's been a week since we released Tamasoma to YouTube audience and since then it has been a roller-coaster ride with mixed feelings. I find this phase very entertaining, enlightening and worth sharing. Here's my account.

When I embarked on this journey, I had 3 story points to turn into films and took the most simple and straightforward script for Tamasoma because I knew the first attempt would be a learning curve. Hence the story had only 4-5 characters, limited locations and duration. I didn't intend to create any ripples nor submit my work to sundance film festival. I basically wanted to learn how to present an idea in a cinematic way in the most engaging way possible without boring the audience.

The Good

I read many books and watched videos about film making where gurus advised not to introduce the major plot incident right in the first scene because that would require a director to engage the audience continuously thereafter without tiring them. But with Tamasoma,  I deliberately defied that rule and tested myself if I could deliver a 40 minute saga without losing audience's interest despite a major incident right in the opening scene.

I heard many accounts of feedback - both positive and negative from people I know and others too. The criticism was majorly around bad dubbing and audio quality or screenplay of the last 10 minutes but almost everybody agreed that the story, concept engaged them and they enjoyed the unpredictable twists. Everybody unanimously agreed that I could hook them up for 40 minutes without distraction. THAT'S MY SUCCESS.

After I took up this journey, at least 50 people told me that they always wanted to make short films, skits or feature films but they could never begin due to whatever reasons they had. I had my own reasons too, but I broke through the barriers, wrote, narrated, directed, produced and promoted a product which was born out of my mind. THAT'S MY SUCCESS.

We are glad that we could stand up to our first marketing slogan that this was the story never been told in world cinema and we are proud of it.

The Bad

When I saw the aggressive tirade by makers of  "ee nagaraniki emaindi", "veera bhoga vasantha rayalu" against reviewers, I was amused. If a person delivered a creative product for public consumption in a public domain, they should be ready to accept any criticism. Hence I was more than willing to listen to constructive criticism about my first attempt.

Also I don't understand filmmakers who get annoyed by criticism and reviews by those who never held a camera nor shot a home video. Talking of analogies, when we go to a restaurant we would review the taste of food even if we can't cook. Same logic applies here. Those who critique films don't need to be knowledgeable about film making. For me, criticism is not bad. Actually that's more important than praises because that's how I can think from audience's perspective and learn what not to repeat in the future.

But yeah, those critics can't make even a fraction of what film makers do is a different afterthought though. Nevertheless there are always few negative people who want to humiliate and slander and I refuse to acknowledge their existence.

Bad Dubbing:

The unanimously raised point was the bad audio quality and poor dubbing. I totally agree with everybody. Here is what happened: We initially thought sync sound would be too difficult logistically and went ahead with an idea of ADR (dubbing). Since it was a 40 minute movie and we had only a handful of characters, we borrowed a radio station for 4 hours thinking we could finish the dubbing off. But for our surprise, it took around 4-5 hours for each actor. That was harrowing. The studio team would have agreed if it was a couple of more hours but 30 hours against 4 hours of earlier approved time was way out of line and I didn't want to trouble them because the inconvenience was evident.

The biggest mistake at that point was not to hire a professional studio for the remainder of dubbing because I thought we could do the rest at home with a microphone and a voice recording software set. Then I started traveling to all actors' houses to get their dubbing done. While the actors did their best, I was a novice in sound management and didn't realize that microphone also captured AC, furnace motor and other unwanted ambiance sounds as well and the end audio had a disturbing hush along with their voices. I asked my BGM director to remove the hush and he warned me about implications. I insisted and he did something and in the process lost some voice textures too, in addition to losing BGM effects as well. It was 40 hours of recording, traveling, post production sound design (more than shooting time) which went into a monumental waste. I was dejected but could do very less because it was too late to re-dub and I didn't want to trouble actors who already worked for free. Then there was a huge issue of lip sync and getting the right emotions while dubbing.

The final nail on the coffin was that iDream guys compressed the 41 minute movie to 39 minute video including their own animations thus compressing the entire audio and video quality making the negative feedback inevitable.

Bad Screenplay:

While many lauded our product and were lenient because it was my first attempt, few correctly pointed at the incoherent screenplay and fast flowing scenes especially towards climax. I identified that in rushes and hence posted a poll on my FB if I should release or not. I was in two minds but then released it because the output involved hard work of other people involved.

I earlier wrote my story and dialogues and started filming some scenes with just those dialogues without proper screenplay. Towards the end, I learnt screenplay techniques and reshot many scenes and hence you might find few scenes came out well while few others came and went in a flicker before you could register what's going on. That's a notebook case study for bad screenplay.

Behind every 1 minute of film you watch on screen, there were 2 hours of shooting and 2 more hours of pre-production and post production. Unfortunately, thanks to my inexperience, I could realize mistakes committed during shooting only at the editing stage when my editor asked if I had some important extra footage and b-roll...and I didn't have any. So the editor had to mix and match the available footage and deliver the product. Earlier I edited music video reprisals but working with him taught me many intricacies of editing.

Performances:

Debutante actors performed better than their best and got overwhelming appreciation from all corners. If there was any such scene where the audience felt actors could have performed differently, the onus lies upon me because I should have asked them for a retake if I was not satisfied. They performed as many times and in as many variations as I requested from them.

Others:

Few friends advised me to employ multi camera setup, dolly movements, drone sequences in the movie. The camera angles and techniques employed during Tamasoma were deliberate. If you notice, I used all the aforementioned techniques in my other music video reprisals and also tried here but felt not suitable for the screenplay and dialogue narrative. Yet, your feedback is valued and will make sure you will enjoy my next output.

The Future

I took up camera and film making as an active hobby and a borderline passion and not as a career. I would continue to make more movies, videos as long as I get ideas that blow my mind, as long as my wife and friends who share my passion are willing to collaborate and as long as my parents and family join me through the process.

Few well wishers warned me that film industry is not known to "give chances" to outsiders and I should make more love stories or comedy to get more chances. I seldom ask for chances from anybody and I would only collaborate with those who want to join aboard my vision. I don't find love stories and boy meets girl kind of sagas interesting and don't intend to be a drop in the flood of short films and movies that pass us everyday. I would initiate something only when the plot blows my mind. And I found two such plots.

While I would want to reserve the best plot I devised for a theatrical release feature film sometime in the near future, there is another interesting plot which I'll roll-out soon as my second short film. The story will have more characters, longer duration, more action visuals, less conversations and I promise to overcome blunders I committed in Tamasoma. The title would be "Asatoma" and is not related to "Tamasoma" in any way.

Those who watched Tamasoma would know that I left all characters as open ended and nobody was shown as dead (may be except one). All the loose ends would be connected in a more unthinkable way in Tamasoma-2 which will be a limited and private release to those who enjoyed Tamasoma-1.

In addition, we are planning to roll-out three different weekly talk shows about three completely unrelated topics. My wife will helm two of those and I would take up the third one. Will begin those too as limited releases to gauge the reaction before releasing it on YouTube. Interested people can join our private audience list.

The Conclusion

I wholeheartedly thank everybody who took time to watch Tamasoma and acknowledge the beginning of my new journey. Thanks and love to those who liked it and to those who had all kind words for me and the team. Thanks a ton to everybody in cast and crew who believed in my vision. Thanks to everybody in and beyond the team who have been promoting the movie to help me expand my horizons. Thank you so much to all those who gave me honest reviews and areas of improvement. You took time to analyze and tell me those points proving that you care.

To those who haven't caught up with the movie, you are welcome to check it out on my facebook timeline or search for tamasoma+cutmirchi on youtube. Those who ignored it, I'll try harder next time to gain your attention. And to all those who don't intend to watch (or pretending not to) - wishing you peace !

Shalom until 'Asatoma' !

My Journey through Filmmaking !

It's good to be back to the wordplay mode after a hiatus of almost 8 months. I certainly missed interacting with many friends on social media, but the break from all the scrolling through senseless forwards and shares on FB and Whatapp has been refreshing and revitalizing. Also the social media detox after 10 years was much needed for me not to potentially fall into the narcissistic trap which comes with the virtual interactions that can't always be construed on face value.

Once I deactivated by fb, whatsapp, insta and twitter, I had all the time in the world to retrospect my work life,  rediscover my business ambitions and reigniting latent possibilities. I would like to believe that the time was utilized well and hope the awaiting results coincide with my belief.  Another boost came in the way of expansion of The Saharsh Project and our family just breached the 100 mark.

But in years to come, I would remember 2018 for another development. Last year I could juggle between work, education, travel and many more avocations in addition to the social media obsession. This year was relatively calm and despite work assignments, I had a lot of time to cultivate and inculcate myself with a new hobby. I have been camera crazy since forever but I hit a moment of reckoning when I started self-learning camera to it's full potential. Earlier I was brandishing my DSLR at family vacations and thought I was good at photography but only after I learnt a bit of camera did I realize that not everybody who owned a DSLR was a photographer the way everybody who owned a pen wouldn't be an author.

My perennial passion has been writing and was writing more of non-fiction through this very blog till recently because that was my way of expression, an outlet. For the first time I gave a thought of expressing through camera and the In the Feelings - Kiki Challenge happened. I don't know what prompted the ladies in the video to trust my sensibilities sans any experience but they obliged to perform. While it's not the best of creative works, we all were happy with what came out considering the impulsive, inexperienced effort. I can't thank my friends enough for keeping up with my supposedly creative demands. But the more rewarding and enriching experience than the filming was editing. Learning the craft was an uphill ordeal but once I got the elements, I realized it could be quite an hobby in itself. To keep the fire going, I also edited the video clips we took in Greece last year and produced Em Sandeham Ledu - Reprisal.

In between all these, some other development occurred. Few months back, I was browsing through some news article and stumbled into a very interesting, unimaginable article which blew my mind into pieces. My first response was to write a story based on that, my first attempt at fiction. Halfway through, I felt I could convey it to larger audience if I translate that into a visual medium. First thought of a docudrama and then graduated the idea to make a short-film. My family heard the story and were more intrigued than I was which lent me a kind of reinforcement. But they believed I could do a better job with proper planning and execution than a half baked one. So they gave me the actual impetus to sign up Tamasoma. And a journey thus began.

The journey started with story writing, then moved to screenplay writing, character arc development and other pre-production work. The day came when we handpicked actors to play certain roles and picked up courage to ask them if they could act in my 'directorial'. Except one, all characters were written with certain people in mind and when I narrated the story to them, they kindly obliged, albeit with some reservations, I suppose. The people I wanted to work were those whom I knew personally and thought they would fit the bill to the T and whom I know I could get along well because that was more crucial for me. Building that team was easier than I thought. Like-minded people joined the crew and before I could realize, we were a 15 people team (production and post-production combined).

On the parallel track, I was learning crafts of film making, camera movements, cranes, gimbals, lighting equipment, sound, dialogue writing etc. Everything for the first time and I can't express how exhilarating and exhausting each phase was. My cast and crew were rock-solid beside me and I'm sure they did everything not to let me down despite noticing my amateurism. Every single person delivered everything I wanted and required on and off screen. They also came to terms with my re-shooting entire sequences 3-4 times without rolling their eyes. I still wonder what made them oblige to so many of my silly antics and tantrums. Thank you guys and love you all for your support and I apologize in advance if I won't be able to translate your hard work and conviction onscreen.

The production of the movie was fun and more like a picnic barring production design where I and the team had to run pillar to post to get logistics arranged. The movie making experience was diagonally different from music video reprisals or travelogue videos because there was screenplay, dialogues involved and we had to make sure every scene conveys the story to audiences in the way I imagined. After a month of shooting, post-production began which was another uphill task, more exhausting than the shooting itself. My editor (a professional guy who worked with teams of RGV etc) has been extremely patient, knowledgeable and is doing an able job. I'm waiting to witness his skill on the final product. Background music and foley is underway and is helmed by another old acquaintance who worked with teams of AR Rahman and Hiphop Thamizha.

As mentioned earlier, my conviction was that I could convey the story better as a movie than a blog article but I'm not sure how successful am I (or would I be) because I could see how unfledged, raw and callow my work as a director was and how I can do a better job now after going through the end to end movie making life cycle. I might have been haughty and cocky for believing that I could deliver magic without any training but without that presumptuousness and arrogance, I would not even have ventured anything into these waters and I'm glad I did it.

I hope the audience would watch the movie through my eyes and enjoy the story and the experience because as we began our marketing, this is one story which wasn't told in world cinema as yet. Our creative naivete may get under criticism (which we welcome wholeheartedly) but the story line won't. I promise the audience won't be disappointed about the story if they could be a bit lenient on our inexperience.

For those who asked me why did I only address intense subjects (like in In the Feelings - Kiki Challenge and now with Tamasoma), watch out for my take on love and romance in a video to be uploaded tomorrow at CutMirchi Media. Oh, by the way, we rebranded the channel from Myriad Tales to CutMirchi Media in an anticipation to indulge ourselves in serious visual media experiments.

So you will see more of my work and possibly myself on screen soon (but not acting or running around trees..). Watch out, Dear Friends !